Rarely, if ever, has any song condensed into the dark droplets of despair when you have done everything you can, and yet that own loved one, your loved one, has disappeared beyond the reach of help, behind the smokescreen of addiction, into the darkness that cuts off any possibility of contact. The song describes how you walk alone in this destiny of yours when you wonder if there were any options that you could have helped with. However, the most devastating thing about this is to find that answer and the emptiness of being that you couldn't really have done anything. Everyone has their own path to follow until the west meets the east, until the east meets the west. Where have you gone depicts all this with the rhythm of the familiar Tølks cadence from behind the rock gauze and accompanied by a chorus that invites you to sing together, without self-pity, just sadness glued to the shadow of the wanderer.

From the shadows, The Tølks steps back into the Spotlight by introducing their new crown Jewel: Dancefloor. Within the beat you can hear the Echoes from the prom night, just before the final slow ones. It captures that Magical moment when the party hits the ceiling and young Souls feel free to feel free. The familiar Tølks groove drives the rock n roll again to its edges with a fresh twist. With no doubt, The Tølks will be taking the Dancefloor out to the Clubs and to the bars. And there, out in the wild ’n among you party people, it will surely be with its kind.

Escape ”is a tribute from The Tølks to AC / DC and Deep Purple. The dynamics of the song are reminiscent of the golden age songs of these bands, where a motorcycle crashes through a scorching desert. The song now scrapes a memorable riff on the side of such a smooth rockenroll. The song confuses the listener, as the initial assumption of a criminal fleeing a crime scene changes from side to side as the singer goes through the inner Inferno. The end result remains to be guessed by the listener. Despite the darkness of the words, the song proclaims “only the riff matters”.

Beside the deathbed is the next classic of music. This - some might say - arrogant claim can be found to be true during the first 15 seconds of the song. In the background, you can hear a wide variety of classical instruments ranging from the cor anglais to the cello and from the violin to the oboe. The pain and agony radiating behind the light curtains, when a person realizes the limitations of life can be observed by the keen listener. One does not have to give up everything, only the loved ones. This wistful song diverges, however, from the usual gloominess, for the sorrow here is clad in noble robes.